Using sceenprinting techniques, but, unlike a traditional editioned screenprint, no stencils are used and all colours are used simultaneously. The squeegee allows only a very thin layer of colour onto the paper, which gives luminosity. The impossibility of eradicating mistakes focuses the attention totally, and the enforced limited time factor demands great energy, which is evident in the result.
She teaches Printmaking part-time at The Prince’s Drawing School. Her work is shown nationally and internationally at Art fairs, group shows and Print Folios currently touring India, USA and Europe.
Commissioned for a collaborative 4m x 3m linocut for Whitechapel Gallery Centenary; Painting Symposia in Plovdiv
and Kyustendil, Bulgaria; Awards in “Art in Nature? Daler-Rowney Purchase Prize; Featured on BBC series “The Art? Pratt-Silvermine Purchase Prize; Artist exchange in Namibia. |